This could be Bandai Namco’s own Witcher. The Blood of Dawnwalker from developer Rebel Wolves is an open-world game that features a fair amount of mea...[Read More]
Onimusha: Way of the Sword was not the game I thought it would be. When those expectations are shattered, it can often be hard to acclimate and readju...[Read More]
Resonance: A Plague Tale Legacy constantly builds on its own momentum. The game is a kinetic one, yet that adjective isn’t merely applicable to ...[Read More]
Mortal Shell and Lies of P are two of my biggest blind spots in the vast ocean of Soulslike games that have claimed a relatively large mindshare for t...[Read More]
Yeah, Kusan: City of Wolves isn’t making much of an attempt to hide its influence. But let’s be honest, Hotline Miami was not the first vi...[Read More]
I love horror. I love being scared. I love the adrenaline rush. Few mediums capture the all-consuming feelings of terror as well as video games do, an...[Read More]
Assassin’s Creed IV: Black Flag is the last numbered entry in Ubisoft’s long-running series–a fact I’ve always felt has carrie...[Read More]
007 First Light is an inflection point for the storied, suave spy. Though most of us likely identify James Bond with a particular actor, he is more th...[Read More]
I haven’t seen this much drama in a point-and-click game since The Dig. The Drifter, from developer Powerhoof and Dave Lloyd, is a narrative-driven po...[Read More]
Were I marooned on an island with convenient access to electricity and just enough internet to download a Day One patch, games like Starfield or Crims...[Read More]
Luna Abyss bombards the player with a cacophony of stimuli. Colorful pulsing particles. Grotesque creatures. Bizarre liminal spaces. Cryptic text. Thr...[Read More]
When Fight Club came out years ago in the late 90s, I was absolutely blown away by its theme, twist, and overall body of work. It was a quintessential...[Read More]