Way back in the mid-90s, I took my first film course titled German Expressionism and Film. The class was introduced to such fine classics as Metropolis, The Cabinet of Dr. Caligari, and one of the most frightening films of my entire life, Triumph of the Will (incredibly relevant nowadays). When the course dipped into horror, we were introduced to Nosferatu: A Symphony of Horror, a re-telling of Br...[Read More]